New Room!

30 Jun

Our house now contains a whole new room! After four weeks of dust and chaos, our loft has been converted and we now have what will be our main bedroom and my work area. Because we co-sleep, we wanted to have a room big enough for a king sized and single bed side-by-side, and I wanted to be able to write at night within easy reach of my son.

We still haven’t even begun to tidy up, or remove the dust, or figure out where we’re going to stash the contents of our loft now that we have no loft. But still… new room!

Guys, I’m Still Lost

24 May

So; it’s all over…  Six years of watching Sawyer squint, listening to Hurley say “Dude” and generally staring at the screen and wondering what the heck is going on. I have a sort of love-hate relationship with this show. The part of me that enjoys mystery and allegory loves the out-there strangeness of Lost. Then there’s that pragmatic part of me, the part that wants literal answers to everything. That part of me was kind of disappointed this morning; particularly after very little sleep, and with a baby attached to me (who woke half way through, forcing us to leave the room when Jack and Locke fought.) But I guess the show ended in an appropriate manner; it gave us answers, but not all the answers, and answers that were, in large part, open to interpretation.

I guess there will be spoilers after this point, so here’s a split:

Continue reading 

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Recommended Reading: The Other Lands

18 May

“Develop legends. Heroes on horseback and such things…. Find stories that include horses. If you can’t find them, insert the horses. Plant the seeds. Add another layer to the lore and let it be spoken of in taverns and halls and told to children at night, that sort of thing. Get the people dreaming horses.”

So says Queen Corinn Akaran in the second part of David Anthony Durham’s Acacia series, The Other Lands, which I have recently finished reading. I love this book. There’s absolutely no padding – rare for epic fantasy – although there are enough fresh ideas in this one volume to fill an entire series.  In the quote above, Queen Corinn is explaining how she intends to start using horses to inspire awe in others, and create a divide between the royal family and the rest of the populace. This idea, of how history is manipulated by those in power, runs strongly through the book, as does the theme of slavery:

“Some even forget that they are not free, forget that their individual desires could be any different from the orders given to them.”

I found the writing itself to be quite beautiful, particularly Durham’s descriptions of the “foulthings” monsters (you know me… I loves me monsters) and the heartwarming passages about Elya, the non-foul foulthing. It’s a long time since I’ve been so caught up in a book that I’ve had to skip to the end of a chapter to see if things turn out OK. I was pleased to learn more about the League – boat-faring traders who thrive on greed, consumerism and exploitation.  As with the first book in the series, The War With The Mein, Durham’s world is wonderfully multicultural – again, refreshing in a genre over-populated by quasi-Medieval Europes.

I have to admit that the characters I enjoyed reading the most were the less savoury types: the weak and perpetually terrified Leagueman, Rialus; vain, ambitious Delivegu; and Queen Corinn Akaran, so sympathetically written that, despite disliking her intensely, I can’t help but also feel sorry for her. Not an easy trick to pull off, I’d say.

I look forward to the next volume in the series, and in the meantime, I may well read some of Durham’s other, non-fantasy novels.

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Quote of the Day

23 Apr

A male and female tiger is neither more or less whether you suppose them only existing in their appropriate wilderness, or whether you suppose a thousand pairs. But man is truly altered by the co-existence of other men; his faculties cannot be developed in himself alone, and only himself. Therefore the human race not by a bold metaphor, but in sublime reality, approach to, and might become, one body.

S. T Coleridge, Letters, 1806 (via Why Love Matters.)

[Well...  Actually, not sure I agree with the first part, being as how I live with two cats meself, but I agree with the second!]

I heart writing (apparently)

14 Apr

I’ve been clearing out all the junk I had stashed in my parents’ loft. I can’t believe how much of it there is. It’s a great lesson to me not to hoard things: it’s going to take me days to sort through it all, and I am never in my life doing this again. For one thing, I feel absolutely compelled to look through everything I’ve kept. In amongst all the old toys  I found some tickets to the World Trade Center, almost all my old school exercise books, lots of very early stories (I mean, like, really early), and a few cringe-worthy journals I quickly abandoned. It looks like I always loved books, and here’s the evidence:   

  

 

   

 

Don’t ask me why I felt it necessary to write these two sentences down, like normal other kids wrote down the names of boys or girls they had crushes on. Clearing out all this junk has taught me a thing or two about myself. I didn’t realise the extent to which my dreams influenced me, even at a very young age. I’m a lucid dreamer (don’tcha know. Only just learned this phrase, see.) I used to suffer with terrible nightmares when I was young, and false awakenings (which I still get now.) I think there may be a connection between suffering from frequent nightmares and lucid dreaming. When reading up on the issue (*ahem* Wikipedia *ahem*), I learned some therapists try to teach lucid dreaming to those who are troubled by nightmares, as a means of controlling dreams, and I wonder if this is something my brain learned to do as a means of escape. I remember I taught myself to bite down when dreaming: I used to suck my thumb, so I told myself that if I was having a nightmare, all I’d need to do was bite, and I’d wake myself up with pain. It never worked, but I have learned to wake myself up on demand by closing my eyes while dreaming and just willing myself awake. I’m also a very light sleeper, which may also explain why I’m able to control my dreams (which I can almost always do to a lesser or greater degree) and why I remember my dreams almost every morning. I didn’t realise that, even as a child, my dreams inspired me to write. Take a look at this:    

So apparently, I have dreams where I have speshell powers, and I have writon some stories about them.

 Yes, I guess that really is all there is to know about me. I still do dream about being able to fly, read minds, perform magic and so on, and this is, I think, why I love science fiction and fantasy so much. And I guess that’s about all there is to me.Here’s some more of the junk I found in my parents’ loft, most of which I suspect will be interesting only to me…

 

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Things I’ve Learned About Writing #3: Sometimes, Technology Does Help

22 Mar

I’ve repeatedly read, in guides to writing fiction, that writers should never claim they need a particular tool in order to write. I’m talking about a lucky pen, a computer keyboard, multiple pictures of unicorns prancing before a star-covered sky (OK, so that last one is just me…) I’m afraid I’m one of those writers who “needs” a computer in order to function. I can type much, much faster than I can write longhand. My handwriting is atrocious and apt to be ineligible even to me after the ink has dried. My hand seizes up. I, like, could lose my notepad or something. I’ve read somewhere that all authors should be able to write longhand, and that you engage a different part of your brain when you do. But I have to say it’s never worked for me. I only have to glance back at that page of ruled lines and childlike scrawlings to be certain that whatever is written there is a pile of cack. It’s so much more convincing in Times New Roman. Perhaps this makes me a lesser writer. I don’t know. But it’s something I’ve come to accept.

I am all the more accepting, these days, because I’ve discovered Scrivener (thanks to NaNoWriMo.) It is fifty thousand types of awesome. I never, ever thought I’d come across a piece of software that could actually aid and enhance my writing experience, and yet it does both. I can’t imagine life without it, now (there, I’ve said it.) I feel more productive, more organised, more enthusiastic, better looking (OK, the last one was a lie.) But it really is quite fantastic. Basically, it allows you to organise your notes and chapters on one screen, to annotate scenes, rearrange scenes with a simple drag-and-drop function, add character tags, and much more… Things I haven’t even begun to look into yet because I’m too busy writing like the wind now that I’ve found something which allows me to write and keep track of my notes. I generally have two screens open, one for the chapter I’m working on, and one for keeping notes on that chapter. Then any new characters, plot developments or settings that walk into my head while I’m writing, I note down on that second screen. I’ve imported all my background notes and organised them into folders, which I can then view on a “cork-board” – a great way of viewing a quick summary of facts. It’s made me much more adventurous, because I don’t have to break my flow to look up a character fact or check a temporal consistency or some such. It’s right there, on the screen, along with my notes, and navigating through it all does not involve going through pages of text or opening lots of new documents.

I really can’t recommend it highly enough.

PS – I promise I don’t write about prancing unicorns. Honest!

 

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International Women’s Day: The B Word

8 Mar

When my son was a month or so old, I remember breastfeeding him at a party, and being asked by a friend how long I intended to breastfeed for.  “I guess for about nine or ten months,” was my reply, “Because I’m going back to work after a year.” I’d read the current advice, which states exclusive breastfeeding is recommended for the first six months, and that breastfeeding is important for up to a year. I figured that once I was back at work, that was it, and anyway nobody really breastfed beyond a year, or they’d end up with a ravenous boob monster on their hands, who would still be clamouring for the breast at thirty-five. I’d read that breastfeeding once a baby has teeth might rot them (the teeth, not the baby… and anyway, this is a myth) and that once solids were introduced, my son wouldn’t need his breastfeeds anyway.

Of course, once my son started sharing our meals, it became apparent that his need for breastfeeds wasn’t going to slacken much (although it certainly did slacken a bit.) I began to examine my own feelings on the subject, and found that I was quite happy to continue breastfeeding my son, day and night, at home and outside of the home, for as long as he wanted to. As he got older, I was able to leave him all day with no problems, and feed him when I got home. My supply didn’t dry up and he wasn’t a grumpy nightmare to be with while I was away from him. While I was pregnant, I’d heard many horror stories about how painful and difficult breastfeeding is and so I had steeled myself for it to be a complete nightmare, but one that I would soldier through. And I’ll admit that the first two weeks were difficult, exhausting and uncomfortable. But that passed. It quickly became an enjoyable source of comfort and quiet time for myself and my baby, as well as a fantastic feeling for me knowing that I was nourishing him in the best possible way. It’s such a loving a natural thing, and yet breastfeeding is also such a contentious issue, and I really don’t understand why.

There seem to be two key areas where breastfeeding divides opinion.

The first is the length of time a mother and child choose to breastfeed for. In this country, most women breastfeed for a few months. Up to a year is fairly unusual, and beyond age two is usually considered to be very strange. The general health benefits for both mother and child are very well known. But there are also huge benefits to breastfeeding well into toddlerhood, including the continued boost to a child’s immune system. It’s interesting that even the World Health Organisation recommends breastfeeding for at least two years. And yet here in the West, particularly, breastfeeding for this long is considered abnormal. I know I’m not the first person who fails to understand why breastfeeding a two-year-old is considered bizarre, and yet drinking the milk of a four-legged, four-stomached animal throughout life is considered the norm. (OK, well apparently cows don’t have four stomachs, they have one stomach with four compartments, but you get what I mean, innit.) Until the turn of the last century, British babies were routinely breastfed beyond the first year. It was only the introduction of formula milk in the early 1900s that changed this. I was so concerned, when my son showed no signs of reducing his interest in breastfeeds, that I consulted many a parenting forum on the issue. It was my “fault”, I felt. I had made him an addict (a fear that even enters my subconscious.) If I didn’t stop him now, I’d have a battle on my hands in a year or two. And yet plainly, this won’t be the case. I’ve been reassured by the many mothers I’ve made contact with who also “extended breastfeed” their children that at some stage we’ll both be ready to stop, and there’s no need for me to feel pressured to stop any sooner. That the many millions (and billions, I suppose) of mothers who do this outside the West do not have to offer “bitty” to their adult children. And that I am in good company.

The second area where opinion is often divided is on the issue of public breastfeeding. Apparently, Facebook considers pictures of breastfeeding to be obscene. I know that the first few times I breastfed in public, even when my son was tiny, I felt extremely self-conscious – and not because I was “exposing myself” (despite my efforts to be as discreet as possible.) I soon got used to it, and am now very comfortable breastfeeding in restaurants and in the car. Not all women are comfortable doing this, and that’s fine too, but I just don’t understand the extreme anger public breastfeeding inspires in some. Someone directed my attention to this story, about a woman who attempted to breastfeed her child in the changing room of a charity shop. I think what shocks me most, apart from the appalling behaviour of the store manager (assault, in my opinion), is some of the comments below the article. I think I got through two before I had to get up and walk away from the computer. I’m fortunate in that I’ve never, ever been challenged when breastfeeding in public. Perhaps it’s because I’m primed and ready – eager, maybe - to shoot down those fascists who think they have any right to tell me whether or not I am allowed to give my own child sustenance and comfort when he seeks it. I don’t do it very often, now that my son is older, simply because he doesn’t ask for a feed. But I will if I choose to, and I’ll be damned if anyone else is going to tell me otherwise.

So anyway, today, for International Women’s Day, I want to salute those women who breastfeed their babies. It’s a wonderful experience, the best start you can give a child, and it’s natural. And don’t let anyone else tell you otherwise.

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Things I’ve learned about writing #2: There are no rules / there is only one rule

22 Feb

I’ve been reading The Guardian’s Ten Rules for Writing Fiction here and here. I think Michael Moorcock’s advice resonates most with me, although I do also love this comment, from Neil Gaiman:

The main rule of writing is that if you do it with enough assurance and confidence, you’re allowed to do whatever you like. (That may be a rule for life as well as for writing. But it’s definitely true for writing.) So write your story as it needs to be written. Write it ­honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter.

There’s some great advice here, although I have to say articles like these always make my head spin a little. The main theme running through most advice given to writers is essentially always the same… writers write. I’m afraid I’m one of those writers who likes to read books about writing, as you can see from the stack of books I keep by my desk, in the picture below. But I’m well aware that this is a form of procrastination that cunningly disguises itself as research or prep.  But sometimes books like these are the kick up the backside slackers like me need to get going. Once I’m writing, I can fly like the wind, but it’s the getting going that I find tricky on slow days. I just have to learn to ignore that little voice of doubt that always pipes up at me when I’m not sure where to begin.

I have to confess I’ve never heard of the Lester Dent master plot formula that Michael Moorcock mentions. I like! Anything that reduces plot to something as simple and quantifiable as a formula is OK with me!

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Finch: Recommended Reading

3 Feb

 

I’ve just finished Jeff Vandermeer’s Finch. Wow. What a truly amazing book; there really is nothing else like it out there. I’m a big fan of the Ambergris cycle, and the Gray Caps are absolutely my favourite aliens, mostly because they actually are completely alien. Everything about them is unfathomable, and I am so glad that the mystique surrounding them remains in this book, despite us also finding out a lot more about them.  This novel is gloriously claustrophobic, and the relentless plot is reflected in the clipped language. The story can kind of be summed up in one line that appears towards the end of the book:

 ”You’re a man who did the best he could in impossible circumstances.”

I particularly liked the character of Wyte, and Finch’s relationship with him, and I think my favourite point in the book comes when Wyte attacks a group of Partials – the Gray Caps’ human servants, who have been transformed into fungal mutants.

The bullets. Wyte kept taking them like gifts. They tore through limbs, lodged in his torso. Leaving holes, Leaving daylight. That closed up. And running in the shadow of that magnificence…he felt as if he were following some sort of god, his own gun like a toy…

The theme of colonisation is at the heart of the novel. Ambergris, and the land on which it stands, is a land that has been repeatedly invaded and occupied, first by the Gray Caps, then by human settlers, and then again by the Gray Caps in the Rising. But an indigenous populations remains, and the idea of colonisation being not just to do with the land but to do with how people are transformed by invasion and occupation, is explored beautifully. Wyte secretly wants to join the rebels, but he has been infected by a Gray Cap fungus. Finch says, when referring to his infections,  ”…you’ve been colonized . And it’s gone too far. And they’ll never take you.” The land and its people are changing and transforming and there is no going back.

Highly recommended.

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Lost: A Musical Interlude

28 Jan

If, like me, you are counting down the hours to the final series of Lost, then you may find much to chuckle at in this video. As for me… I’m not holding my breath that I’ll get anything like the answers I’m hoping for. But I don’t mind. It’s still a great show… Utterly bonkers, but great.

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